“Choice”: An Interview with Crazy Bag Lady
When I think of a hunk, the one and only Patrick Swayze comes to mind. Swayze is...
Author: Paul Gleason
Destinies Entwined: The Waterboys Live at Milwaukee’s Turner Hall Ballroom on May 5, 2015
There’s a moment in every Waterboys’ set when Mike Scott invites you to rejoin him on...
Ian McCulloch’s Birthday: Heroes, History And Rock And Roll Soul
When Lou Reed dreamed up “Heroin” for The Velvet Underground sometime in mid-60s’ New York, his...
No Pop: “The Declaration of the New Alternative”
On January 21, 2015, Lonely Vagabond published his article, “Declaration of a New Alternative,” in which...
“Invitation to the Voyage”: A Review of “musique de film imaginé” by The Brian Jonestown Massacre
1967 – the year stands out as a totem in the history of rock and roll...
“Imagination and inspiration…”: An Interview with Anton Newcombe of The Brian Jonestown Massacre
How do you, as a listener, react to an artist’s or a band’s newest release when...
“Something transcendent”: An Interview with Stephen Lawrie of The Telescopes
In the mid-to-late 1980s, Stephen Lawrie and his band The Telescopes, along with The Jesus and...
35 Acts from the 1980s That Deserve to Be in the Rock and Roll Hall of Fame
Adam and The Ants Adam and the Ants were a theatrical band of post-punk pirates led...
SEM Contest Winner Mike Madden Explains Why “L.A. Woman” Is The Doors’ Best Album
A week ago, SEM had a contest to discover what was our fans’ favorite Doors album....
Passion and Ecstasy: “Neither Virtue Nor Anger” by Sonic Jesus
Look closely at Gian Lorenzo Bernini’s 1652 sculpture The Ecstasy of Saint Theresa and focus your...