A Life Of No Mistakes: Filter’s The Trouble With Angels
Now in their third decade, Filter has all the sting of their youth and from the...
Author: Alex Green
What It Sounds Like To Be Alive: The Glass Notes’ Dust And Hours
“Our first record won’t be remembered/But our first record will sing,” declares The Glass Notes’ Robb...
A Life-Affirming Blast of Indie Rock Gospel–Sleepyard’s Down Tangerine Road
Their new three-song E.P. Down Tangerine Road finds Norway’s Sleepyard doing what they do best: playing...
Subversive Seduction: Sinatra and Jobim’s Complete Reprise Recordings
The pairing of the Chairman of the Board and the quiet boy from Brazil may have...
Brutal And Brilliant: The Prodigy’s Invaders Must Die
Five years after Always Outnumbered, Never Outgunned, The Prodigy are back. A lot can happen to...
Pop Marksmanship And Lyrical Sophistication: The Music Lovers’ Masculine, Feminine
The last in what I call “The Twilight Triptych,” The Music Lovers’ third album Masculine, Feminine...
Scouting Report: The Bye Bye Blackbirds
“Music is a strange thing,” Heinrich Heine once wrote. “I would almost say,” he continued, “it...
A Stunning Musical Polemic: Eric Corne’s Kid Dynamite And The Common Man
Armed with the lippy snarl and lyrical smarts of a young Joe Jackson, singer/songwriter Eric Corne’s...
Moses In The Mosh Pit: The Shondes’ The Red Sea
Brooklyn’s The Shondes have appeared on the scene like a slap in the tukhes out of...
The Breathing of Statues: An Interview With Max Eider
In 1987, I heard the news that Max Eider, the guitarist for my beloved heroes The...